Put it on me cesar royale free mp3 download

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Presenting Apple Music on Mac. Start your free trial Learn more. Premiering on Mac. Listen up. Yeah, I said jazzy, even it's strange. There is big change in styles and how-it-sounds-at-all, but I don't care, as long as it is listenable, enjoyable, prog rockingly sounding good and I can bang my head a little bit just reminder of old rock times, it's present in almost every prog rock album I've ever heard , think about it and also float away of my consciousness as if I was listening post-rock.

Indeed, some parts reminds me post-rock. There are also strings present, similar to "Raise Your Hands They are here not to please, but to fright a little bit. Only a tiny little bit, but I can feel it. This record wil definitely give you some creeps. Try for example go to big, empty hangar, put it to CD player with battery reproductors, turn volume loud, sit on chair in this vast darkness of course, it should be night and enjoy. And beware of ghosts. Ethereal sound which can give both joy and fear is the main reason.

A strange, otherworldly album. Headphones are essential. Before getting into the music, I want to describe the story behind the album. The leader of this band had material and didn't get the funds needed to record that music. Fans of this band started donating money so that this project could be completed. After the album was recorded, it was released online for free since the project would not have materialized if it weren't for the fans. I found this to be an extraordinary story regarding true love for music.

As for the music, it is jazzy, elegant, unpredictable, avant-garde, and totally strange in places. During my first listen. I was overwhelmed with joy as I was hearing some of the most beautiful and creative music recorded in this decade. Remember the joy when you first heard your current favorite album.

I had the same feeling. Unfortunately, this is not an album that I come to often, so I downgraded my rating to 4 stars. While the first song is likely to be the most accessible in the disc due to a lack of jarring changes in rhythm, it still offers a diverse palette of sounds. The first minute is a jazzy and acoustic theme of joy with Mia's violins making an entrance.

It manages to immediately transition seamlessly into a slow and plodding section where the vocals start. The choruses liven up the mood and have magical vocal harmonies. After the second chorus, the album loses all predictability.

The second half of this song is dynamic with many interesting twists leading to a powerful finale. The violin makes a stronger presence in "Another Excerpt", drawing you in from the start. The highlight for me in this track is the highly technical, yet elegant guitar solo halfway thru the track: it is truly magnificent.

The second half of the song is truly unusual but not mindless. Underwater vocal effects, angular riffs, dissonant bass playing, and instruments noodling in the background.

The violinist takes the lead in "Rose Quartz" and delivers one of the best performances I know of involving this instrument. It initially dances around a very unique piano motif, then plays a somber solo, and finally it interacts with experimental guitars and bizarre vocalizations. The tom-driven percussion is very interesting throughout the first half of this song. Most of the track involves atmospheric soundscapes that are very effective in conjuring images. It is also the hardest to describe as it is quite revolutionary and unique.

Truly an excellent effort that takes you to another world. It is very adventurous and has many twists and turns while being perfectly coherent. This is the heaviest song in the album and while it has heavy guitars scattered throughout the track, it feels very different from heavy metal music.

It probably has more in common with adventurous post-rock or indie music, but stands out as if it were a genre invented by this band.

When you expect the band to explode as a climax, the coda is actually driven by a relaxed beat. Truly spacey and extremely engaging. An elegant and jazzy piano signals an unexpected conclusion of a piece I consider among the best compositions of the decade. It is a big surprise that a free album written for the fans could turn out to be so outstanding. While it not might be perfect due to the risky use of sudden changes in music as well as very dissonant passages, it is the adventurous nature of the album which helps make the project a success.

New sound? Or maybe it's just a parenthesis, even though it's less possible, since Toby Driver has been experimenting a lot with Kayo Dot and with his solo project, and it doesn't look like he wants to back to his origins any time soon.

After eight years of waiting for another masterpiece, here comes "Part The Second", possibly one of the best progressive rock albums ever made. Totally unexpected, "Part The Second" is the first non metal album by motw, and hopefully, like the title of the album would suggest, the album that will start a second period for the band.

Actually, this isn't quite a new album, or at least this isn't new material: the songs were written back in , before the band's debut was released. So maybe this IS Driver's true sound. The style is very close to Avant Prog, mixed with some jazz, classical, chamber music, rock, and a tiny bit of metal. That is one of the main reasons why "Part The Second' blew me and many others away. There are a few passages here that really prove how the band has changed and at the same time has maintained some typical characteristics.

The use of violin is massive, but also guitars, accompanied by creepy vocals by Driver. Fabulous song. It is only 5 minutes long, but it is very well structured: the first two minutes are more post rock than anything else, with a slight increasing climax, and when three minutes pass the song starts, with some flangered vocals and tense atmosphere. It seems like the song will explode, but it never does, just like some moments in the previous song. Three quarters of the song is instrumental, and when half time arrives, there is a part where only the violin plays, making it very tense.

After a while we start hearing some half growls half laments, until the song turns into a Pink Floydish atmosphere with Roger Water like vocals. This song never seizes to amaze me. We have some beautiful and delicate moments here as well as jazzy moods and suspended and tense guitar riffs, like the first part of the song.

It does have some unbelievably good moments and fine passages that will surely go down in history as one of motw's best songs ever. In conclusion, after listening to the entire album, you will be mind blown, guaranteed. An essential masterpiece that will surely go down in history for it's brave experimentation and for it's stunning moments of beauty. The album is front-loaded, with the first two songs representing the best of the album.

The album then self-destructs with the bone-jarring 'Clover Garland Island' and the failed experiment 'Laboratories of the Invisible World'. It is unreasonable to expect experimental post-rock to have traditional song structures, but it is difficult to do any more as a listener than bask in the vast array of sounds. This falls some way short of the holistic beauty I was hoping for. You are probably seeing a whole lot said about this release, much of it overwhelmingly positive.

Part of this is due to the elite nature of the band, as their first three releases are impossible to get ahold of yet very much sought after, in a way something like Anglagard. So there is some overreaction in the rating. Some people seriously dislike it on account of the absolutely bizarre and abnormal nature of the music.

Fair enough. But when it comes to me, it is probably the best example I've ever run across of a band making beautiful music in a perfect abstract and unique way. This is especially strange that I enjoy it so much because I I'm not perfect, okay? Here it doesn't matter. This is not a metal release. They've growled before, I understand it, but this is a ride through beauty, not through pain. It's almost just remembering the happy moments. This is especially obvious in the first track which I'm not going to write out all of.

The song begins slowly and with some gentle, down to earth vocals. The latter half is built around absolutely gorgeous piano and almost Pat Metheny-esque soaring guitar lines. The second track not going to name it either begins almost like a lullabye, but soothing strings enter eventually and push this track forward as the rhythms and guitars get heavier and more dangerous. It suddenly changes about halfway through and begins being so eclectic and eccentric that you can't but love it.

Who doesn't love some clever handclaps? Haunting vocals lines permeate the song underneath the rest of the instrumentation, but once you notice it, it adds that much more impact and power to the track. Rose Quartz Turning to Glass begins as well with strings, but soon piano enters and changes the nature of the music.

The most important piece of this music is the percussion, using the first three minutes almost as a solo section it doesn't get oppressive or obnoxious, don't worry. The music backs out to strings before closing for the last couple minutes with vocals and guitars.

The vocals are pretty sparse throughout the entire album, but here they are likewise very understated and fit the song quite well. Clover Garland Island starts heavy and chaotic, but spends much of the time being smooth and upbeat. A solid guitar solo occurs early on, segueing the song into more of maudlin of the Well's brilliantly utilized strings.

A wonderful clean guitar riff also makes an appearance, and the song closes out on a strong but gentle note, again almost reminiscent of Pat Metheny. The final track starts quiet but on the whole is the least so. It is very complex and at times touching on avant-garde, but if you can enjoy the first four you'll enjoy this too, especially if you've been hoping for a bit more metal in the album. And it all ends on a wonderful note. In short, this is an album I was curious about but not really expecting to enjoy very much.

Nevertheless, my mind has been blown, and I have to join my voice to the others on this site and say, "Yeah, give this album a shot. For one, the band had not been active for some time. For the other, this band was fully funded by fans, and they had no record company telling them what they should do with their music.

To my understanding, they haven't even tried to get it recognised by any label. And they released it for free, so there were no real financial concerns anywhere.

They had the money to make it, and that was enough. They do, of course, accept donations, and I would recommend you do so if able. I downloaded this album because it was free, and people were talking about it. Post Metal is not a genre I am really familiar with, but it's hard to argue with free music, especially free music that has a buzz. The first few listens through, I was pretty solidly impressed. This is some excellent music here, with great contrast, vocals, playing, sounds, etc And, to top things off, it's excellent without having any obvious influences at least to me This truly sounds like original, creative music where the band was able to give it their most.

And, as a prog rock fan, how can you not love an album with song names such as "Laboratories of the Invisible World Rollerskating the Cosmic Palmistric Postborder "? Knowing that I intended to write a review about this piece of magic, I decided to give it a few more spins. Despite the fact that I have heard this album many times, the music is so complex that I have a hard time re-imagining it in my mind, other than small chunks. Re-listening has made even more clear to me how great this music is.

It is just so well crafted, and it affects your emotions profoundly. It opens sounding somewhat upbeat with Revisitation of the Blue Ghost not typing the full name , although it quickly turns more moody and dark.

This works quite well, and the low, harsh vocals really work well with the music. The song is essentially three parts: The opening, the vocal part, and the closing. Of these three, I get the least emotion from the third part, but I still find this track quite excellent.

Another Excerpt is also great, although not quite as excellent as the track that precedes it, and I can rarely recall any moments from it when I am not listening to it.

Rose Quartz Turning to Glass, the third track, may be the most emotionally involving. The opening violin parts can nearly bring me to tears before the songs introduces the other instruments, and from there, I always feel as if my emotions have been changed from sorrow over something that happened, to anger over my inability to do anything about it.

All this without a single word being spoken It then moves into a bit more of a strange part, with bizarre vocals, and while this does not flow quite as well with the emotions I've built up so far, it still sounds excellent, and has me feeling a little lost, as if I'm in a world I could not imagine beforehand. Overall, I would rank this as my favorite track on the album. Clover Garland Island is another nice track, although like Another Excerpt, I can rarely remember specific moments from it when it is not playing, and I would argue that it is the weakest track on the album.

The album ends with the stunning "Laboratories It is replete with interesting movements and sounds, and is perhaps even more of a journey than the first track. The vocals that are used in this album are among my favorite in the album.

This piece is more guitar oriented, but it works quite well. Definitely an amazing track. So where does that place this? On the one hand, I'm fairly certain that this album could easily be considered a masterpiece, and one of the most creative and least commercial pieces of music to come out in a long time.

For sure, the band really stretched themselves out and did some amazing things with this album. On the other hand, I rarely feel the urge to listen to this album, and there are a couple moments that just refuse to stick in my brain. Most albums I would rate 5 stars are albums that I can't help but keep coming back to, time and again.

For, creativity is not the only sign of a masterpiece And yet, listening to it now, I am wondering why I don't want to listen to this album more. As well, I am constantly discovering new things about this album, and I really do appreciate that about it So, what are you waiting for? Music this great is almost never free. I've checked the prices of Maudlin's previous albums on ebay We have been given a gift by an amazing band, and it would be foolish not to take advantage of it.

Only gripe: It sure would be great to be able to buy a hard copy of this album. But mp3s are good too. When the name 'maudlin of the Well' came up in conversation in the past, I would always find myself filing them away under the 'maybe someday' category in my head by default.

It wasn't that I was biased against them for any reason, but they just never seemed like a band I could see myself getting into right away, and I didn't want to jump in to a huge time investment to allow them to grow on me until I knew I would be able to give them the proper attention.

Then, I saw where this particular album was being offered for free by the band. So I went straight to the official website, downloaded this album, and began my musical journey. Let me tell you right now. You can easily download time-tested hits and "high-profile" novelties. You can download mp3 free as a separate original song and download a music collection of any artist, which of course will save a lot of time.

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